I don’t formally make resolutions at New Year, but this year I plan to review the books I read, as soon as I read them. I finished the first book of 2020 – that I’ve read cover to cover (there’s a couple of “current reads” which I’ve tried to get into but haven’t found my way with yet – in the week. So close enough.

This novel came to me by way of Netgalley. I love Netgalley, it gives me the chance to read books in advance and prepare reviews that will hopefully help new authors or new books for established authors. However, last year I wasn’t the best at posting reviews in a timely fashion (i.e. before or on the launch date). This year will be different (she says, in January).
As I’ve already mentioned, I’ve been trying to get into different novels over the past few weeks but not getting far. If the subject matter doesn’t meet what I’m looking for in that moment, back it goes to the to-read bookcase. But If I Had Your Face was different.
This novel gripped me from the outset. At first, the concept of being “plunge[d] into the mesmerising world of contemporary Seoul” caught my attention and tempted me to request the novel. When it arrived, and I was pulled in, it became so much more than the subcultures of plastic surgery, ‘room salons’, and K-Pop stars.
Told by five women in alternating narratives (a literary trope that I’m a huge fan of since first reading Trumpet by Jackie Kay 15+ years ago), I found myself being both engrossed in their world(s) but also invested in what would happen and finding out what had happened to get them there.
Although the first few chapters felt that they could easily be standalone stories, the links between the women became clearer until the perfect last scene when they are pulled taut as they sit on the stairs of their apartment complex. Despite being worlds away, their stories were familiar and all-encompassing. I could see parts of myself. I could see parts of women I know. And that reflection drove me to read their stories, this novel, as quickly as I could.
It’s out on 23rd April, and you can order it from your preferred seller here. I agree with the Evening Standard, it’s definitely one of the best books to look forward to this year.













World Book Night is here again! I’m so pleased and proud to be a volunteer book giver for the third year in a row. Two years ago I started bold; talking to strangers on a quiet night at my local pub about reading and Jeanette Winterson’s Why Be Happy When You Could Be Normal? Last year I went even closer to home, reaching out to non readers at my 9-5 with Sarah Winman’s When God was a Rabbit. This year is personal in a different way.
To end this on a lighter note, I’d like you to imagine me out there with these books. I have been ill with a cold/flu bug this week which has left me with no voice. I can only whisper. Imagine me walking around a nearby town, wrapped up in a ridiculous number of layers, speaking to strangers in a whisper about depression and reading. I’d laugh already but that might start a coughing fit.
This to me is the most wonderful of gifts. My parents purchased this for me for my birthday at the start of February. Having enjoyed the last exhibition on the Gothic Imagination, and the current one on the anniversary of Alice in Wonderland, the prospect of a year of opportunities there does make me extraordinarily happy, along with the chance to make the most of the member’s room when a spare seat in a peaceful place to write is needed. If you want to find out more, visit
The latest issue (number four) of Matchbox Stories arrived exquisitely packaged up from Book Ex Machina. I will be honest, this was an on a whim purchase but I’m so pleased I did. The four tiny stories by Ali Smith, Etgar Keret, Marti Leimbach and Frances Gapper are brilliant. Full of wit and wonder, these micro-tales left me thinking. Thinking of all the possibility there is in so few words, and the power that can be contained in no more than five sentences. If you’d like your own set then 
I have been subscribed to Mslexia for a good few years now. I’ve seen them refresh their design before to ensure they stay engaged with their readership and this one is no different; beautiful inside and out. It offers features which cut into what the industry and writers are thinking about, how-to advice from exercises to inspire to ways to reconnect with your writing and reading communities. The showcased stories are always worth reading – this month, Ana Salote’s left me chilled as the layers of meaning sunk in.
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