When I received this quarter’s Mslexia, I laughed. Very loudly.
Continuing Mslexia’s feature of guest editors, Suzi Feay and the Mslexia team have made a bold statement with the June/July/August edition. Featuring two gingerbread women, clearly in love, with the title “Dyke writers. What’s the problem?” As thought provoking and daring as the title is, my laughter subdued as I read the Agenda article.
Feay has shed light on the fact that there is a problem: not enough “dyke writing”. Although I identify as a lesbian, I am a writer, editor and reader: not a lesbian writer, -editor, -reader. Perhaps the lack of lesbian writers (lesbian author, lesbian content) is because more women are identifying themselves in a similar manner (?).
My own writing focuses on characters and their development no matter their sexuality. However, when writing my current project, I was struck by my hesitation to make another character a lesbian – I already had one featured and even that was thrown into question. Perhaps I should make my characters more obvious but in a “this is normal” way? I find it appalling that I actually have to think of ways to make the relationship/sexuality normal, by which I mean that the other characters will not have some kind of opinion or commentary on it. The natural assumption is for lesbian characters to maintain the stereotyped other-ness, or use sexuality as a twist within the character development. As Feay says,
I was startled to find novels in which lesbian characters were stereotyped as murderers or or deranged, or in which a character’s sexuality turned out to be the ‘twist’ in the story (as opposed to an unremarkable aspect of someone’s life).
*p.9 Mslexia JUN/JUL/AUG 2012
There are writers, of course, who create lesbian characters who do not fit into stereotypes as above. However, I agree with Feay, they are the same few again and again.
Which leads me to my main interest in the article; there is a distinct lack of “L in LGBT” writers going for the Polari prize and others, as well as within mainstream publishing. From an indie perspective, I’ve noticed the same whilst forming a long-list of authors to get involved with the Fruit Bruise Press anthology – there are a lot of male writers with diverse backgrounds getting in contact with us, but very few women; whether lesbian or not. At Fruit Bruise, we’re working towards promoting and supporting the transgressive, emergent, and excluded writers and I’d love to hear from lesbian writers who would like to be involved with the anthology and future programme for literary development. Following from Feay’s question, I’d like to ask “Is there anyone out there?
Discover more about Suzi Feay and her writing here: www.suzifeay.com. And find out more about Mslexia and the latest edition: www.mslexia.co.uk. If you would like to know more about Fruit Bruise Press and discuss writing with us, please contact me below or at lexi @ doghornpublishing . com.