Finding my voice with Liquorice Fish

Liquorice Fish, literary imprint of Cinnamon Press, have lfish_logo-300x300announced the winners of their ‘Lost Voices’ competition and I’m very pleased to say I’m one of them!

My short story, Once There was a Bear, will be alongside six other works in an anthology which will be published in Spring 2015. All the authors’ work are described here along with details of the commended and highly commended entries.

I’m thrilled to note that the anthology will also feature a preview of Vanessa Gebbie’s next work. Ed’s Wife and Other Creatures. This will be the second Liquorice Fish publication;  “a striking, surreal, and poignant collection of micro-fictions” written by Vanessa and illustrated by Lynn Roberts. As someone who is constantly inspired by her work, I really cannot wait for my writing to be with hers in the anthology.

Liquorice Fish is a “new imprint from Cinnamon Press to promote the innovative and idiosyncratic in contemporary writing: writers who are passionate and committed to finding an individual voice and approach to their writing; who are restless and want to explore the many possibilities inherent in language and the written word; or who wish to celebrate and extend the vibrant and varied traditions — and anti-traditions — that emerged during the 20th Century but which have been too often marginalised and belittled by the world of corporate authorship.” Find out more on their website.

Once There was a Bear has been described by Liquorice Fish as “the fabulous and mundane exist side-by-side in this delicate short story from an up-and-coming young British writer.”

I can’t tell you how chuffed those words make me. 2015 is going to be a very good year and this is just the beginning.

Short stories are for life…

…not just for National Short Story Week.

I love that we as a nation give time for a whole week to encourage young readers and writers to get involved with the short story form. As the week comes to a close, I wanted to share some favourite links that I hope will give short story lovers resources to keep them going for the next 51 weeks.

wordfactory-logo-300x88

You may have noticed this blog can be sporadic. Mostly, and with great joy, Word Factory is to blame for this. I am involved with this amazing team who every month for almost three years have provided short story salons, masterclasses and workshops to writers and readers of London. So when you can’t find me here, I’m normally over on the Word Factory site – where you can find videos of all of the readings, a wonderful monthly round up of opportunities that Paul McVeigh sources, as well as profiles for over 70 short story writers.

shortstopsShort Stops is a resource website for anyone who loves short stories. Brain-child of Tania Hershaman, this site is the home for everything connected to the form – live events like Word Factory, publications like Bare Fiction and Lighthouse, and a very long list of short story authors.
If you haven’t already, I suggest you connect with Tania and Short Stops on Facebook and Twitter to keep in the know of all things short story.

sssAnd as it is Sunday, it is only right that I mention Short Story Sunday. This new online publication which has been running since the start of November. Already there have been three wonderful stories published and I can’t wait to see what will come next.

There’s so many more I could mention – but please do post in the comments if you’d like to share you own favourites.

What I’m really linking… 25th August 2014

The reading one(S)

beautiful1I am one story away from the end of Sarah Hall’s collection The Beautiful Indifference. I’m late to pick up on how challenging, honest and brutal Hall’s stories can be but I am savouring every one. Difficult to do as a short story fiend but this is a collection worth time.

stonemattresshowtobebothAdding to my reading excitement, two of my most favourite authors have new books out this week. Ali Smith with her Booker short-listed How to to be both, and Margaret Atwood’s new collection of short stories, Stone Mattress: Nine Tales. You know where to find me on Thursday when these hit the bookshelves.

The Philosophical one

weareverbsWhilst considering my next moves for my first novel and the second one which is becoming louder, I’ve been delving into philosophical discussion on how we develop as writers and as humans. We are Verbs is my favourite so far.

The writing one

wt-circleThis week I’ve been taking part in The Write Track‘s trial of audio writing exercises. Led by novelist and top creative writing tutor Julia Bell to work out if writers find audio exercises useful, the idea is to take exercises out of the classroom and into people’s lives as they live them, kind of like a pocket writing coach. Soon their the goal-setting community for writers will be launched online – if this trial is anything to go by, this will be an exciting community to be involved with.

I would love for find out what is inspiring you at the moment – please use the comments box for links and feedback.

What I’m really linking… 10th August 2014

For the past year, although I haven’t been blogging, I have been inspired by so many articles etc online. I have tried to share these via social media which of course moves quickly and I have a collection of links that may benefit other writers, editors and readers too. Book Riot has a great weekly post, Critical Linking, which I love. What I’m really linking is born from reading this and wanting to do something regular and useful with this blog.

I would love for find out what’s inspired you this week – please use the comments box for links and feedback.

The writing one…

PM Scare 2Meet the instant gratification monkey and the panic monster. It’s very likely that you have your own, but this made me smile on a day when I let my monkey go for a wander when I should have been writing.

It won’t help that this became a useful blog addition.

The political one…

_Bad-Feminism--Is-There-Really-Only-One-Type-Of-Feminist--1 (117x110)I stumbled across this a couple of months ago. I like the comparisons it brings to the table in one place and shows up the media led bickering that goes on with feminism on what is wrong and what is right.

Not sure I’m with Moore on the feminist party ideas she’s come up with since but hey.

The science one…

tear1-620xTears are like snowflakes – every one is individual. But even more interesting is thow tears carry the human experience, looking different for every emotion expressed. I hope to eventually use this in a story.

The Topography of Tears is just beautiful.

The Cute one…

SAABbookI am a little bit in love with Jackie Morris’s bears. Stumbling across her artwork on Twitter led me to learn that she is the cover artist for Robin Hobb’s books as well as a writer and illustrator of many children’s books.

Jackie reads Mary her story. There is even flying bears on her blog.

The reading one…

Carys Bray’s debut novel, A Song for Issy Bradley, pulled me into the lives of the Bradley family. I couldn’t stop reading it. That’s not a cliché, I promise. I really did have to find out what happened to them all. Watch this Word Factory video to get caught up with them too.

Word from the Factory floor

Today I was high fived by Deborah Levy.

That is enough to describe how I am feeling, even at almost midnight. I want to tell you why and how this came to be. Word Factory. Two exceptional words when placed together and carried by the wonderful founder, Cathy Galvin.

Word Factory is so many things and will become so many more, but at the core it is a literary salon that concentrates on short form fiction which takes place once a month in The Society Club in Soho, London. Around that, the team at Word Factory (and I am honoured to say that I am part of that team as an associate editor) strive to bring news of the short story to writers and readers in the form of video, articles, networking…the list goes on. Condensed, we love the short story. We also love writers and we are writers. If you want to get to the heart of the reasons behind the Word Factory and what it will become then please read this fantastic article by Cathy herself.

I stumbled upon Word Factory. I will call it fate because things have happened in ways I cannot begin the fathom but I am just grateful for them. I found myself surrounded by a high percentage of my past and present writing colleagues who seemed to have gathered in yet another twist of fate. More obviously, they just know how good Word Factory is at presenting the very best writing and bringing together wonderful people. 

I was hooked and came along to the next few Word Factory events before jumping on the chance to become one of the team. Since then I have been involved with supporting events both in London and now Leicester, maintaining and helping to shape the future of the website and this weekend I got the chance to be part of the latest Word Factory Masterclass.

Everyone who signed up for the Masterclass weekend knew it was going to be good, great even. With the line up of Adam Marek, Julia Bell, David Vann, Alison Moore, Carrie Kania, and Deborah Levy it was destined to be amazing. We arrived at Birbeck’s Keynes Library following a Friday night spent at The Hauntings, a Word Factory salon run from Earlsfield Cemetery – betwitching readings that continue their spell on us provided by Adam Marek, Alex Preston, Tania Hersham and Stella Duffy.

The masterclass started with Adam leading us through dream confessions, exercising ill-paired combinations and then circuit training through word cricket, blackout techniques well as musical and pictorial exercises. After a much needed lunch break, our refreshed brains were then expanded by Julia’s exploration of time management in fiction. Closing off the day, David taught us how style is a choice and that generosity in characterisation is worth the challenge it presents.

Sunday began with Alison showing us how are word choices can provide deeper context to the truth at the core of our stories. The readings in this session were outstanding, the group providing support and inspiration to one another. After lunch in the winter sun, Carrie navigated us through the truths and myths of publishing and working with an agent, with dry wit and much appreciated honesty. Finally our weekend was concluded by a session commanded by Deborah who assisted us in finding our voices and to express our strengths and weaknesses in writing. This allowed us to take control, reclaim our work and ensure that our strengths and weaknesses are no longer a secret to ourselves.

And so, where I began we can conclude. Perhaps what was not expected was how we surprised ourselves. By the end of the weekend, I certainly now know more about myself as a writer and about how I am going to continue my writing journey with even more skills and experience.

Word factoryDeborah and Alison will be reading at Word Factory on 30th November at The Society Club, alongside Michele Roberts and Dave Lordan. With hope, there will be further master classes in 2014, and if you wish to find out more and get tickets to the salon on the 30th then sign up to the newsletters on the homepage to get the latest news from Word Factory. Come on in and join us on the factory floor.

To Inspire Generations

I don’t remember a time when I didn’t tell stories. Whether I was writing poetry at school, or creating stories for my brothers, or those first fledgling ones that I imagined whilst being read to. One of my first memories is correcting my mother when she added different words as she read. Yes, I was an editor from a very young age. I loved stories that much.

I love going to readings and events, to be read to again as we once were and to be inspired by writers – whether they be all time greats or début. One of my favourite bookshops, Toppings of Ely, has put on some great events this summer – including the Neil Gaiman event for The Ocean at the End of the Lane last Tuesday.

In relative terms, I’m a newbie to the following of writers who are inspired by Neil Gaiman’s work. When dating my wife, she presented me with a copy of Neverwhere because she knew I loved stories and she knew seeing London in this completely new way would spark my imagination. Now, no matter our distinctly different reading tastes, we always have a shared love of his work. His short story collection Smoke and Mirrors inspired me during my B.A. with writing that pushed boundaries and broke the rules in a very mastered way.

So it was no surprise when we saw that there would be reading relatively close to us, we jumped at the chance. The two of us and a friend, who has as much love for Gaiman’s work, met at 6pm in Ely thinking arriving early would ensure us a good place. We were in a good place. 382-384 in a queue of around 1000!

As expected, the reading was wonderful. Gaiman has a brilliant reading voice, which he confessed is a mixture of learnt and natural – a description that sums him up completely. I have continued reading The Ocean at the End of the Lane with the Hempstock’s Surrey accent firmly set in my mind, which I love.

Everyone who waited for their signing did so with pleasure, and we were all thankful that Neil would stay until everyone had their book signed. I’m not sure what time it finished, but given our position in the queue and that we spoke to him at around 11pm I can’t imagine that it ended any earlier than 1am. We watched the bats flying overhead through Ely Cathedral, talked about all his other works, and had conversations with complete strangers about cult films (there aren’t many places you can have a serious conversation about The Princess Bride. Believe me. I’ve tried).

Neil Gaiman signedI was always going to be pleased about getting my copy signed – we spoke about the bats, and then he drew one for me.

 

 

 

 

 

But nothing compared to getting a copy of Chu’s Day signed. We hope to have a child in the future, and we would always encourage them to read Gaiman’s work but how cool will it be to read them their first signed edition! And with such an important inscription.

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This weekend, we’ll be back in Ely and I’ve got another picture book for signing. This baby is going to be well read – Margaret Atwood’s Up in the Tree is next!

Room for a little one? Always at Swanwick Writers’ Summer School

There is always room for a little (or non-specific sized) one in this family; it is a family, a professional networking family of writers that I have been involved with since 2006.

Swanwick

The school has just celebrated its 65th year and it is still going strong despite rising economic problems. Delegates catch the bug known as “Swanwick magic” which may sound cheesey but is unavoidable. This magic is made by group meals where you discuss the day’s experiences, a wide range of courses and workshops that ensure any fledgling or experienced writer has the opportunity to develop their skill set, and inspirational speakers covering topics from the journey to screen (Deborah Moggoch & James Moran this year) to creating young adult fantasy fiction (Curtis Jobling did this perfectly after he stopped wowing us with his drawings and animations).

But the real magic is in the people. There are very few boundaries between writers – be that in experience, age or background. For a week you are simply a writer and that is the most freeing opportunity of all. I spend a lot of time with other writers at literary events etc and although there is a level of honesty about our work and lives, this does need to be built up over time if and when we see those friendly faces. Swanwick on the other hand is an intense week of relationship building. Swanwick is full of authenticity. Networking is done casually but with your annual return there are those that you want to see again and again. When there are 200-300 delegates you are bound to find someone or many on your wave length.

As a course leader and 1:1 mentor, there is a certain level of professionalism that I hope I adhere to. However, that did not stop me from letting my hair down at the last night disco or staying up until 2am talking with agents and writers alike. In fact I think this year, an early night was considered to be around 1am, and yes, I was up and at breakfast by 8.30am. Perhaps adrenaline is another part of the Swanwick magic! It’s also worth mentioning that even with all the teaching/mentoring I was involved with, I also started my next novel (2999 words on the procrastination free day) and worked out that I also want to screenwrite (more on that soon).

You will leave Swanwick with a notebook full of ideas, and iPad (or any other device…!) that won’t stop pinging with follows and friend requests, and friends that you cannot imagine your writing, or otherwise, life without. If you’d like to find out more about Swanwick, take a look at the website, follow them on Twitter, or like them on Facebook. The next Swanwick Writers’ Summer School will run between the 9th and 15th August 2014.

Baring all to conquer writing fears

photo (2)I’m a procrastinator. To extraordinary lengths. Creating this blog was an exercise in procrastination at the point where my first novel was being difficult. And then of course my writing freed up and my writing almost became the procrastination against having to work out what I wanted this blog to be. But this month I have hit a conundrum. I’m stuck with my writing, and I’m stuck with the blog… I should probably explain some more.

 

My fear for my current writing project is managing to give the characters and ideas justice in words. That my words will be enough. I’m at the beginning of my second novel, and worries about it are causing me to worry more about that than write. But when I’m honest with myself I know these worries are just excuses. I know I’m scared of the ideas/topic/themes I’m crossing into, because they are BIG. They involve dealing with human pain in a way I haven’t conquered in my writing before, and possibly that I haven’t dealt with in myself yet. Yes, I could choose an easier subject; but the thing is I actually can’t. The characters are there, mumbling but very much present and they need to be written.

But when I came to writing the blog, I found my fears lurking here as well and they are similar to the novel. I want to be able to provide a service whilst be professional, but also to be me and be honest. And that’s the fear – can I be both? Can I write a blog about fear and yet be professional about my own fears that are so personal? Well, I’ve done it now, and I can only hope it works.

I dealt with my fears about writing this and continuing the novel by doing what I do best – procrastinating. By researching fear and writing with it as a procrastination to doing the actual writing, I’ve found that I am not alone. I knew this before but now I really understand it. I may debate for many moons on whether all of that was worth sharing, but the research I definitely think it has it’s place for most writers.

You are not alone. This is something we all forget and yet it can take the simplest and hardest thing of reaching out to others to find this out. The hive mind of Twitter was the answer for me. I asked my followers (most of whom are writers or connected to writing/publishing): what do you fear about your career/writing? I fully expected to hear nothing, I wondered if I’d be brave or honest enough to answer the question myself. With time (once the Murray match was over) and a couple of tweets, some brave writers stepped forward with their fears and presented them to me. There were a wide range of fears; finding out that someone else had got their first, wasting people’s time, of the balance between writing and work, of the loss of the career. The most common single fear and overriding “theme” was failure, throughout the whole process of being a writer: of being able to write, of having their book in a bookshop, to get readers. Even failure to cope with failure.

These were the fears of excellent writers and I am grateful they took the time to explain how they deal with their fears. Their fears drive them to keep writing, to work harder on what they produce. When the fear gets too much they know to take time to step away and gain perspective, even if that means leaving a project until the fear has moved away or onto something else. They learn their lessons and hope they remember them for the next time. To just keep going.

If you’re scared of reaching out, there is always a video. In my research, I found that, like most topics, if you can’t broach the subject with another person then someone else will have filled in the blanks via google. I certainly don’t think it is the same as connecting with another human, far from it, but it can certainly add to the not alone feeling. I’d recommend the following sources if you do want to get some more thoughts on dealing with fear and writing with it:

I hope this helps you on facing your own writing fear. Sometimes it will be an uphill battle but it’s always worth the fight. Personally, I’m using Neil Gaiman’s words in my plight.

“This is how you do it: you sit down at the keyboard and you put one word after another until its done. It’s that easy, and that hard.”

― Neil Gaiman

A day for Flash

Today is a day of moments: the moment you can run between the car and house without getting soaked; the storms that rage are highlighted by flashes of blue sky. Can you tell the pathetic fallacy is getting to me as much as the rain? Today is National Flash Fiction Day and the weather is allowing me to indulgence in a couple of wonderful collections that we ought to all share.

Scraps_cover_frontpdfFirst up, Scraps, the second official anthology for National Flash Fiction Day. I talked about  Jawbreakers last year and if you haven’t got it yet then buy it now as even if it wasn’t in a free promotion until Monday 24th it would be very much worth the money. Anyway, back to Scraps. The collection features stories from Jenny Adamthwaite, Jenn Ashworth, Oliver Barton, Alan Beard, Natalie Bowers, Cathy Bryant, Joanna Campbell, Nuala Ní Chonchúir, James Coates, Claire Collison, Chris Connolly, L.A. Craig, Judy Darley, Ariel Dawn, Vanessa Gebbie, Kylie Grant, David Gullen, David Hartley, Kevlin Henney, Tania Hershman, Sarah Hilary, H Anthony Hildebrand, Eva Holland, Holly Howitt, Thaddeus Howze, Anouska Huggins, Claire Ibarra, Paul Kavanagh, RM Kealy, John Keating, Calum Kerr, Clare Kirwan, Mark Kockelbergh, Emma J. Lannie, Cathy Lennon, Beverly C. Lucey, Amy Mackelden, R A Martens, Ana Martinez, Thomas McColl, Stephen McGeagh, Danielle McLaughlin, Siobhán McNamara, Freya Morris, Andrea Mullaney, Clay Norman, John Paul O’Neill, Sonya Oldwin, Jim O’Loughlin, Amanda Oosthuizen, Jonathan Pinnock, Dan Powell, Amanda Quinn, Eabha Rose, Sam Russell, Shelley Day Sclater, Emma Shaw, Ian Shine, Diane Simmons, Tim Stevenson, Becky Tipper, Stella Turner, Tracey Upchurch, Bart Van Goethem, Alison Wells and Brendan Way…wow sorry, I ran out of breath too.

This collection has entertained, challenged and developed me in one afternoon. I no doubt will go back to it again and again as I do with Jawbreakers, but the stories that have captured me this afternoon are Finding Trainspotting by Clare Kirwan, Bright New Morning by Joanna Campbell, Feed a Fever by Freya Morris, Planets by Vanessa Gebbie, and The Short Tree Has its Hand Up by Tania Hershman. In fact I could probably go on about every single one of the stories but do us both a favour – buy the book and comment below, I’d much rather chat about it! As ever, these collections allow readers to explore new writing and new writers and I can’t wait to find out what else is available from these authors.

David+Gaffney+More+Sawn+OffNext is More Sawn Off Tales by David Gaffney. Following on with the tradition of secondary collections of flash fiction to prove their importance, this collection sequels Sawn Off Tales (2010). David’s works stretches storytelling and twists language within the tiniest of forms – even the titles could be, and have been, described as miniature works of art (Thanks Emma Jane Unsworth for that review!). It’s a collection that leaves you feeling slightly unsettled as though you have seen more than you ever thought you would, even though the sights were within a blink of an eye. If that’s not enough to make you run to the nearest bookseller, Salt sums Gaffney up as an “expert miniaturist with the ability to stuff an elephant inside a flea without the insect noticing…”. I think that should do it.

keepcalmAnd lastly, a website which everyone should get well acquainted with: Flash Flood. The site is literally being flooded today with flash fiction selected from entries that were submitted in the last week or so. It’s a fantastic place to find new writers whether debut in general or just missing from your shelves. So take a look a look around, wallow in moments or in the case of Paul McVeigh’s Safe – sit open mouthed in wonderful horror.

The Weird and the wonderful: Q&A with Andrew Kaufman

Andrew Kaufman was born in the town of Wingham, Ontario. This is the same town that Alice Munro was born in, making him the second best writer from a town of 3000.  Here in the UK, his previous work, All My Friends are Superheroes, The Waterproof Bible, The Tiny Wife, were joined on 3rd January by the release of Born Weird. The five siblings of the Weird family find that they have been cursed by their grandmother, Annie Weird. Richard, the oldest, always keeps safe; Abba always has hope; Lucy is never lost and Kent can beat anyone in a fight. As for Angie, she always forgives, instantly. The narrative is led by Angie as she pulls her family back together to save them from these blursings (blessings turned curses) before Annie dies, properly this time.

Copyright Lee Towndrow

Alexa Radcliffe-Hart: Hi Andrew, thank you for taking the time to talk about Born Weird. Firstly, l’d like to say how much I enjoyed reading Born Weird, along with your other work. The ability to reimagine and create fresh fables seems to be something that naturally occurs for you. Is this your not-so-secret superhero power, or are you inspired by any particular writers who also have this skill or indeed current culture in general?

Andrew Kaufman: Honestly, I’m not sure where it comes from. Certainly the writers I love reading the most, Kafka, Chris Adrien, Amiee Bender, Kurt Vonnegut, are prone to exaggeration and fable-making. I just feel that metaphor and allegory are actually better at capturing real-life than realism is. To me realism can convey what the world is like, but magic realism can convey what it feels like to live in it.

ARH: That’s possibly the best description of the importance of magic realism that I have ever heard, thank you for that! I’ve read that you have an interesting relationship with your characters whereby, even though they may be some small part of you, you don’t always like them and they don’t like you. Do you find it easier to write from the viewpoint of a character that you dislike? And how do your writing processes differ between those you like and don’t like?

AK: Sometimes my characters are based on something I don’t like about myself. Working through their story is a way for me to work through this part of my personality. So, obviously, it is much harder to work with these characters because I’m actively trying to get rid of them. I want them gone! So it’s much harder to get any compassion going for them, to see where they’re coming from and understand them. I think that writing in the third-person, which I mainly do, which allows me to write from the perspective of the story-teller and not the characters, helps a bit too.

ARH: As you say, you tend to write in the third person but I felt that Born Weird is naturally led by Angie. However, that does not stop the other four siblings from being equally important. I was particularly drawn to Richard with his need for safety and Lucy’s inability to get lost. Did Angie lead the narrative from the beginning of the writing process or was it someone or something else that made you create the Weird Family?

AK: It was always Angie. She came first. The writing of this book was really improvisational – I didn’t make an outline and I wrote each plot point as I went along. It started the idea of the Blursings (Curse+Blessing) and I knew from page one what each of the siblings was blursed with. But as far as knowing who they were and how we were going to meet them, even the whole Dad thing, all that was something I stumbled across. I’m really happy to hear that you enjoyed Richard and Lucy as much as Angie. I wanted each sibling to feel as important as the others. I think this makes them really feel like a family.

ARH: How do you create a sentence in which words resonate with a reader, to the extent that he or she describes a feeling exactly – not a physical sensation but a private thought and/or emotion, that when read, makes one realise that one is not alone in this world? I think you have a particular skill for this, but this may be a subjective experience for each of us and is not replicated for all readers, or is it?

AK: My strategy is pretty simple — use as few words as possible and keep myself as the writer out of the way. Because the things that resonate with readers are pretty simple. Stuff we feel every day, intensely. So I just try to state them simply, unadorned. And maybe, on a good day, in a way the reader hasn’t thought of yet.

ARH: Quite often it’s the simplest of strategies that get lost whilst we’re trying to create but forgetting what we really want to achieve; that connection with the reader. What is the worst assumption any aspiring writer can make about their work?

AK: That it won’t get better. It’s essential to set your standards high, but I’ve seen a lot of writers get discouraged and give up before they meet them.

ARH: So to keep them on their journey, what is the most important book any aspiring writer should keep by their side?

AK: The Elements of Style, William Strunk/E.B. White. Everything you need is right in there.

ARH: Ah, the much argued over “bible” of writing! Your website provides some wonderful insight into your writing and what provides inspiration for your imagination. My favourite of your favourite things, is the invention of new words. Along with blursings, featured in Born Weird, I particularly like lucased.

Lucased:
[Adj/Flex]
To achieve a degree of success that no one will tell you when you’re failing.

So, lastly, are there any other new words you’d like to share?

AK: Breadsinner – the guilt felt by a man who stays home and takes care of the kids while his wife goes off to work.
Digipearred – The use of technology to avoid real-life conversations and emotions.

The English language is missing so many words. Remember that dictionaries are products. Their authority on what words are valid is completely self-serving. Everyone should start making their own right now!

ARH: I think we’ll all be investing some new words from now on with that kind of inspiration!

http://www.harpercollins.co.uk/Titles/72946/born-weird-andrew-kaufman-9780007441402

Born Weird is available from 3rd January 2013 in hardback. If you’d like to hear Andrew read, he will be doing an ‘In Conversation With’ and signing at Piccadilly Waterstones on Wednesday 16 January at 6.30pm, and visiting ‘The Firestation Book Swap’ in Windsor on Thursday 17 January from 7.45pm.
http://www.harpercollins.co.uk/Titles/72858/the-tiny-wife-andrew-kaufman-9780007439232

Also launched last week was the paperback release of The Tiny Wife; a beautiful and delightful novella where a thief robs a bank in the West end of Toronto, but instead of taking money he demands – and receives – the item of most emotional significance from everyone. Claiming he’s taking 51% of their souls with him, it’s up to those robbed to grow them back. Although it’ll sound very strange, this is possibly the most beautiful love story ever written; doing what Andrew does best – conveying what it feels like to live in the real world, with a little bit of magic.