When I saw this tweet, I immediately knew I had a story to submit. A story of a mermaid lost in the wrong world. Of a girl searching for her place. Of a little guidance when you least expect it.
This year has been A YEAR. Personally, professionally, all of it. And if my writing has come second to all of that, then submitting has been at the bottom of the list. So, I tentatively pushed Bridget, Lucy and Una out into the big bad world.
Apart from I had a little bit of safety. I knew that my river girls would be safe in the hands of the Dancing Bear Books team – even if they didn’t want to publish their story.
BUT THEY DID!
As you can tell, I was a tad excited. It really did make a huge difference when the big bad world was just a bit too close for comfort.
So why I am I telling you this?! Well. BECAUSE THE BOOK IS HERE!
You can order it direct from the Dancing Bear website NOW! It’s full of weird and wonderful stories, empowering tales, wholehearted goodness. The team are also working for it to be available via Amazon and Waterstones (stores too!) but supporting Indies directly is always lovely.
And as the foreward says – the magic starts with you…

A little note about Little Book of Fairytales
The Dancing Bear Books team created an opportunity for this book because they could see the need for diverse content. We live in a time where fairy tales have never been more relatable, a time where pantomime villains seem to be pulling strings and in consequence, each one of us has become an underdog hero. This book is for voices that have been silenced and stories that have been brushed aside. Little Book of Fairy Tales welcomes everyone; their tragedies, their successes and their love stories.
This book is written for and by minorities. DDB made an extra special effort to make sure that voices who don’t usually get to speak have a platform. Having these voices and having them tell their own stories was hugely important to DDB, and as minorities, they wanted to create something that was for minority groups. This representation isn’t a last thought or tokenisation. Something I respect hugely and it’s why I wanted to get involved.
As the fairy tale Queen, Kirsty Logan says:
Fairy tales and folk tales are darker, stranger, messier and more satisfying than people might remember. They’re not just about being pretty or winning princes; they’re about loss and betrayal, regret and confusion, joy and fulfilment. They’re about us.
Kirsty Logan, interviewed in Why long-lost folklore still matters to modern listeners













I first went to the opera eleven years ago. I vividly remember the train journey into London, the panic on my then-girlfriend-now-wife’s face as we arrived late to find the doors closed, the view from our first seats and the move to our actual seats during the interval, the little bar in Covent Garden where we drank champagne and de-constructed ourselves on our first valentine’s. I do not remember anything about the opera itself.
This to me is the most wonderful of gifts. My parents purchased this for me for my birthday at the start of February. Having enjoyed the last exhibition on the Gothic Imagination, and the current one on the anniversary of Alice in Wonderland, the prospect of a year of opportunities there does make me extraordinarily happy, along with the chance to make the most of the member’s room when a spare seat in a peaceful place to write is needed. If you want to find out more, visit
The latest issue (number four) of Matchbox Stories arrived exquisitely packaged up from Book Ex Machina. I will be honest, this was an on a whim purchase but I’m so pleased I did. The four tiny stories by Ali Smith, Etgar Keret, Marti Leimbach and Frances Gapper are brilliant. Full of wit and wonder, these micro-tales left me thinking. Thinking of all the possibility there is in so few words, and the power that can be contained in no more than five sentences. If you’d like your own set then 
I have been subscribed to Mslexia for a good few years now. I’ve seen them refresh their design before to ensure they stay engaged with their readership and this one is no different; beautiful inside and out. It offers features which cut into what the industry and writers are thinking about, how-to advice from exercises to inspire to ways to reconnect with your writing and reading communities. The showcased stories are always worth reading – this month, Ana Salote’s left me chilled as the layers of meaning sunk in. 





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