12 short stories. For you to read. Now. Get electrocuted.
I am so proud to be involved with this project. With thanks to Fran for inviting me and all her hard work alongside Jane and Bernie. They are super stars and this is the first of many for Literary Salmon.
Did I forget to mention, read the collection now.
*if the title doesn’t work, then the praise and inspiration should! Find out the full story on Twitter – follow the salmon.
Join me in conversation with Aliya Whiteley and Montague Kobbé on Monday evening at The Victoria Library, Westminster from 7pm. This will give you a chance to hear them both read excepts from their new books, as well as put your questions to them.
Tell us if you are coming along!
Aliya Whitely launches her latest novel, Skein Island: Marianne Percival has been summoned to Skein Island by its owner, the reclusive Lady Amelia Worthington. There’s only one problem – Lady Worthington has been dead for years. So who wrote the summons? And what does it have to do with the disappearance of Marianne’s mother? All the answers lie on Skein Island. It’s a retreat, and it holds many strange relics from a time of heroes and villains. At its centre stands a library that holds the stories of thousands of women. And underneath the library there is a secret that Amelia Worthington kept from the world. A secret that is about to be uncovered.
Montague Kobbe launches his collection of micro-fictions, Tales of Bed Sheets and Departure Lounges: Fifty bilingual micro stories strung together by emotional ties progressively weave a sense of reality that is both drastically different to that expressed in each individual tale and at the same time shared—perhaps even created—by the entire collection. The conventional tropes of love and lust, travel and sleep are deliberately approached with awareness of the tradition and a dose of provocation, sending the reader on a dangerous path along the outer edges of the cliché, hanging by the thread of irony and humour over the abyss of the banal. Form is central to a concept in which the short story has been boiled down to its most fundamental core: action. In this sense, context has often been totally or partially removed, giving primacy instead to the verb and its echoes, both within the collection and in relation to literary tradition. Equally central to the concept is the role of sound.
My debut short story collection will be published.
There. No messing about. No, what should I say. No, it’ll be small – nothing to worry anyone about. No, looking at my feet. Because essentially that has what I have been doing for the last couple of months.
The details, which will be fleshed out over the next year or so, are that it will be published by Liquorice Fish (whom I have spoken of in previous posts) who continue to provide a wonderful home for my short stories.
And now I am getting very excited about it. Not least because I just told Ali Smith. And she grinned and gifted me the title of my collection.
In truth she wrote down the words I gave her, when I floundered over what I had been considering as possible titles in the small hours between sleep. And you know what, this is perfect.
This is happening. To the people who I have should have told by now, offline, please forgive me.
When I found out that ‘Once, there was a bear’ was a winner in the Lost Voices competition and would be joining six other works in the anthology pamphlet, my first thought was that I had almost got my wish to be published before I turned 30 as it was due out in March. But I was very happy to know I would be published at some point in the very near future.
For my birthday I disappeared up to North Wales to relax and write. On the way home, I switched back online and found that the anthology had actually been released a day before I turned 30. I don’t think I’ve stopped smiling since.
I have received so many wonderful comments about the story, and I love hearing from my family and oldest friends when they’ve received their copies.
I’m so proud to be part of such a wonderful anthology; beautifully edited and designed by Adam Craig. Which leads me to the next bit of news. I have been invited to submit a story for Liquorice Fish’s anthology Past Tense which is being created in honour of Cinnamon Press’s 10 year anniversary. ‘Fallen’, a micro fiction, will be part of a pamphlet anthology of 10 stories from past and present Cinnamon Press writers. Past Tense is due to be published in November.
If you’d like a copy of Lost Voices or to find out more about Liquorice Fish visit the Cinnamon Press site.
Liquorice Fish, literary imprint of Cinnamon Press, have announced the winners of their ‘Lost Voices’ competition and I’m very pleased to say I’m one of them!
My short story, Once There was a Bear, will be alongside six other works in an anthology which will be published in Spring 2015. All the authors’ work are described here along with details of the commended and highly commended entries.
I’m thrilled to note that the anthology will also feature a preview of Vanessa Gebbie’s next work. Ed’s Wife and Other Creatures. This will be the second Liquorice Fish publication; “a striking, surreal, and poignant collection of micro-fictions” written by Vanessa and illustrated by Lynn Roberts. As someone who is constantly inspired by her work, I really cannot wait for my writing to be with hers in the anthology.
Liquorice Fish is a “new imprint from Cinnamon Press to promote the innovative and idiosyncratic in contemporary writing: writers who are passionate and committed to finding an individual voice and approach to their writing; who are restless and want to explore the many possibilities inherent in language and the written word; or who wish to celebrate and extend the vibrant and varied traditions — and anti-traditions — that emerged during the 20th Century but which have been too often marginalised and belittled by the world of corporate authorship.” Find out more on their website.
Once There was a Bear has been described by Liquorice Fish as “the fabulous and mundane exist side-by-side in this delicate short story from an up-and-coming young British writer.”
I can’t tell you how chuffed those words make me. 2015 is going to be a very good year and this is just the beginning.
I love that we as a nation give time for a whole week to encourage young readers and writers to get involved with the short story form. As the week comes to a close, I wanted to share some favourite links that I hope will give short story lovers resources to keep them going for the next 51 weeks.
You may have noticed this blog can be sporadic. Mostly, and with great joy, Word Factory is to blame for this. I am involved with this amazing team who every month for almost three years have provided short story salons, masterclasses and workshops to writers and readers of London. So when you can’t find me here, I’m normally over on the Word Factory site – where you can find videos of all of the readings, a wonderful monthly round up of opportunities that Paul McVeigh sources, as well as profiles for over 70 short story writers.
Short Stops is a resource website for anyone who loves short stories. Brain-child of Tania Hershaman, this site is the home for everything connected to the form – live events like Word Factory, publications like Bare Fiction and Lighthouse, and a very long list of short story authors.
If you haven’t already, I suggest you connect with Tania and Short Stops on Facebook and Twitter to keep in the know of all things short story.
And as it is Sunday, it is only right that I mention Short Story Sunday. This new online publication which has been running since the start of November. Already there have been three wonderful stories published and I can’t wait to see what will come next.
There’s so many more I could mention – but please do post in the comments if you’d like to share you own favourites.